Performance

Performance uses movement,

costume, set, sound, and

collaborations to explore how

interconnectivities to this earth deity

function. As individualities and

identities rise and fall in our

experience on this planet, one

thing becomes clear: we are never

truly separate from it. Costumes

suggest rituals that could become

the hallmark of this spirituality.

Ways of identifying and expressing

these more meaningful

experiences in patterns that can

express experience from the

personal to the communal. Actions

that anyone can jump into to

feel the calm of belonging, to be

an actor in a universal story.

Moments when an individual

points back to the human drama

inwhich we all particpate. And the

opportunity for anyone to observe

or be a part.

The Door Was Right Here, 2025

Performance and video

13 min.

Collaboration with Jasmine

Albuquerque Croissant and Wren

Ossman

Using a piece of audio from the

real moment Jasmine returned to

the childhood home she shared

with her mother to see it

annhilated in the Woolsey fire of

2018, this piece explores loss and its

effect over time. Held in a literal

suspension in the trees, the set and

clothing created a sacred space

for her to reengage this

experience in real time identifying

what had passed and what lay

buried. The forest holds her as the

ground slowly swallows her and

everything that identifies and

protects her in a slow and

painful but redemptive burial.

Water and earth are the amniotic

fluid from which she is reborn.

It is clear this kind of loss is always

changing. Like a scar, it is

unresolved. I co-created sound,

set, and costume for this work.

Stability/Instability, 2015

Lycra costume with 4 synthetic wigs

and black and white makeup.

Photo: Andrew Johnston

Dancers: Tiffany Sweat, Sara Jester,

Irene Urias, Natalya Oliver

Constructed as a multiple person

costume that could be used by

anyone, this work explores

Jungian concepts of intact

and unknown personalities that

simultaneously inhabit the

unconscious. Presented as a

landscape, the selves are pushed

to the front like a proscenium

stage. Working together and

against each other is a natural

effect of the container. The

uniformity of the hair and

makeup creates contrasting

instincts to conform and rebel.

This piece was used for a music

video for Hi Fashion, a

collaboration with Jen DeMartino,

on a song called “Where is the

Party?”

“Where is the Party?’

Video: Hi Fashion

Director: Rene Vas

DP: Robby Hart

Choreo: Danny Dolan

Dancers: Tiffany Sweat,

Ayesha Orange, Kathryn

Burns, Jamila Glass

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