Rocks

Painted in acrylic on various sized

canvases and objects, the first

collection of rock paintings were

essential concepts in black and white.

Subesquent works employ titles,

color, and gradations referencing time

of day, places, human stories, and the

objects themselves. The language

reduces to bare essentials. Bold lines

form paths and holes. Presented

together, they appear as monolithic

shrines evoking ancient places of

worship. These objects imagine a new

spirituality inwhich the earth is the

central figure, the deity. In this new faith,

there is no separation between humans

and our planet. Animals, plants, people,

and meanings are eternally bound

together in movement. Time, like the

earth’s plates, has no fixed point.